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DOWNLOAD MOVIE Few Good Men, A Just $2.99 for a complete movie! No additional software or browser plug-ins required! You can play them for unlimited number of times whenever you want. Downloaded movies will work perfectly on any PC, DVD player, PDA etc.
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Few Good Men, A
This is one of the movies, I have watched many many times. First few
times, Tom Cruise seemed to be giving an ordinary performance; probably
my shortcoming that I was not able to understand his character. But,
then I realized that he was playing exactly the character he was
supposed to portray and he did it in a impeccable manner - wow!!!! He
was just second to Jack Nicholson.

I could not imagine if anyone else could have replaced Jack Nicholson -
his stellar performance (as always) and the intensity and ferocity with
which he delivered his dialogues - man, even his facial expressions at
times were worth a watch.

Story line and plot don’t seem to be so strong and there will be many
people who would not agree with its end and even with the message of
the movie, which is although not so clear but definitely points towards
some of the not so best practices being followed in any country’s army
(over discipline in the name of straightening the people and getting
things in order or even avoiding any further chaos or things being run
by certain people just to settle their personal scores and run in a way
they think is the best, even disregarding other people’s reasonable
opinions). However, the other things apart, movie was a treat to watch.
Director Rob Reiner and writer Aaron Sorkin didn’t leave any stone
unturned when it came to dialogues in the movie - in fact, the
dialogues delivered by each and every character (not only Jack
Nicholson) have been simply stunning.

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DOWNLOAD MOVIE Lolita Just $2.99 for a complete movie! No additional software or browser plug-ins required! You can play them for unlimited number of times whenever you want. Downloaded movies will work perfectly on any PC, DVD player, PDA etc.
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Lolita
The 3-D Vision "Wildcat Women" would give even the most astute spectator a
difficult time comprehending its plot direction. In summary, a young black
girl’s (who mysteriously shafeshifts throughout "key" moments)uncle is
murdered by a group of hoodlums, headed by an Asian man named "Buddha,"
who
is more of a foreigned stereotype than an actor. She and her friends seek
the help of a black radical, whom uses his abilities to disguise himself
to
help the girls out. Stop! The rest of the film is mostly indecipherable,
with random and minimal insertions of sex scenes (hilariously flawed
continuity)as well as a cheesy finale, with blood that most closely
resembles that of breakfast condiments. I was growing irritable of the way
my 3-D glasses kept unfolding a popping off, as I usually do. But it is
one
thing to watch a "3-Dized" print of Casablanca and a piece of trash like
this. The only appeal of "Wildcat Women" is its blatant use of racist
rhetoric, and a few frank one-liners, such as, "I was gettin’ jealous at
first, but now I wouldn’t mind a three-some" (one of the black villians
who
after sleeping with the black girl whom seeks revenge goes into an
adjacent
room and spots a hot young white girl). Poor editing, atrocious
plot/character development, and dialogue the mentally insane wouldn’t find
pleasing constitute "Wildcat Women." Advice to the filmmakers on their
next
outing (unlikely to happen)- include much more sex and take advantage of
3-D
vision, having a character comment on how thirsty he is and thrusting a
soda
in the direction of the camera 5-6 times is not originality. Also, please
don’t petition Laemlles Theatre on Sunset to screen anymore of your films,
I’m always dragged out there by my friend Jon, and end up paying $7.00 for
nothingness.

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DOWNLOAD MOVIE Bobby Just $2.99 for a complete movie! No additional software or browser plug-ins required! You can play them for unlimited number of times whenever you want. Downloaded movies will work perfectly on any PC, DVD player, PDA etc.
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Talladega Nights: The Ballad of Ricky Bobby Reviewed By Erik Childress Posted 08/04/06 14:21:54

"Not Quite The Legend Of Anchorman, But Close Enough" (Worth A Look)

NASCAR is one of the fastest growing sporting events in America. Possibly due to inordinate breeding rates down South. But I kid the rednecks. Everyone needs an uncomplicated sport to waste their Sunday on, so God bless. Enter Will Ferrell and Adam McKay, the comic madmen behind one of this decade’s most quotable films, Anchorman. About as perfect a duo as you can find to ratchet out the absurdity of sponsorship and the good ol’ boys club that is about as exclusionary as the fine wine country clubs – only with beer and accents. Relax NASCAR fans. You take your share of hits here, but if you’re able to laugh at yourself even just a little you will find yourself accepting one of the year’s funniest pictures.In a nicely extended prologue, we get to meet the boy from birth to pit crew assistant whose desire to go fast was both encouraged and hindered by his deadbeat father (Gary Cole). Ricky Bobby (Ferrell), once sidelined as part of the worst team on the circuit, gets to show his stuff when their driver takes a snack break in the middle of a race. He becomes an overnight sensation leading to many winner circles, endorsements, a smokin’ hot wife (Leslie Bibb) and even a second team car for his lifelong best friend, Cal Naughton Jr. (John C. Reilly).A new challenge presents Ricky Bobby in the form of Jean Girard (Sacha Baron Cohen), who is not just a Frenchman invading this All-American of sports, but a homosexual one to boot up their country asses. Girard’s antics sideline Ricky not once, but twice, until he has a complete falling out, right down to a hilariously abrupt shunning from his home that has the same kind of is-it-real-or-fantasized mentality as the newsmen-brawl in Anchorman. It’s then up to his downhome mom (Jane Lynch) to smack the hick out of her grandchildren, Walker (Houston Tumlin) and Texas Ranger (T.R. for short) (Grayson Russell) and the reappearance of dad to rediscover the adrenaline of hitting triple digits behind the wheel.Talladega Nights inevitably plays more with the arc of the nearly universally maligned Days of Thunder than it does as an overt satire on motorhead culture. Like Pixar’s Cars this summer, the film doesn’t even pretend to know anything about or care about what makes the sport’s true stars tick. It would rather find the ticks behind the people and a gleeful naivete in everything they commit to. McKay and Ferrell filmed so much material for Anchorman that they were able to release a pseudo-sequel as a companion piece on DVD, comprised of the deleted footage that, while obviously a lesser film, was still funnier than most comedies. The same may even hold true for Talladega when you realize that most of the trailer footage is nowhere to be found in the final print, save for Ferrell’s tighty-whitey tirade along the track and then the knife in the leg and the “live cougar” payoff which are even funnier after their buildup and extension. But where even the most eager of viewers may have grown tired of Ferrell shouting “help me Tom Cruise”, it’s a reprise of this moment which gets the bigger laugh and neither come close to being a top twenty highlight. Ferrell is at his dimbulb best, but still allows enough breathing room for a cast of comedic artists to get at least one major laugh for themselves. Many of them come courtesy of John C. Reilly, once the earnest help of Cole Trickle, now a full-blown comic force whose puppy dog sincerity becomes an asset as the yin to Ricky’s yang. The great Gary Cole, whom filmmakers are realizing is comic gold even as a silent walk-on, nearly steals the film as the relationship-challenged father. Sacha Baron Cohen, aka Ali G and soon to be seen as TV counterpart, Borat, in turn gets to take over the film with each of his scenes. Molly Shannon, whom I haven’t laughed with since the early days of her SNL appearances, is great as the drunken wife of management. Michael Clarke Duncan breaks loose from being the film’s straight man in a hysterically spontaneous outburst about Ricky’s “handicap.” And even Amy Adams, in maybe the one true bit of wasted casting considering how brilliantly she portrayed Southern exuberance in her Oscar-nominated (and robbed) role in last year’s Junebug, unleashes a fiery sexiness in her inspirational speech that couldn’t be more perfect.Talladega Nights surely could have played up an ignorance of its culture, possibly somewhat fearing neglecting a core audience and the organization that supported its production, but that’s just the difference between it being a classic satire and just a damn funny movie. It flirts with the former and settles comfortably for the latter. Will it be as cherished as Anchorman in repeat viewings? Maybe not as a direct quotable piece or for appreciating the other-worldly insanity that film displayed at times, but it’s certainly going to make people laugh hard and frequently. It may never make that hard right into more riskier territory, but it maintains its pace and the Ferrell/McKay partnership will keep their audience applauding for more.
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DOWNLOAD MOVIE Hitch Just $2.99 for a complete movie! No additional software or browser plug-ins required! You can play them for unlimited number of times whenever you want. Downloaded movies will work perfectly on any PC, DVD player, PDA etc.
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Hitch Reviewed By U.J. Lessing Posted 02/14/05 12:35:17

"Fresh Prince Eye for the Straight Guy" (Average)

Will Smith’s latest romantic-comedy, Hitch, asserts that men are simple-minded, oafish, accident-prone, not nearly as smart as women, and freaking adorable! Why Hitch borrows its foundation from the numerous daytime commercials where men fail to properly use cleaning supplies, I’m not sure, but at least Will Smith is allowed to be charming without packing a machine gun, laser, or explosive device.Smith plays Alex ‘Hitch’ Hitchens, whose career is to assist helpless males catch the women of their dreams. No mention of his salary is made, but judging by his fancy, upscale apartment, he’s making a first-rate living. Hitch works through referrals only and is not interested in helping guys achieve one-night stands. Instead, he creates situations in which women can see past his male clients’ goofy, obtuse exteriors and glimpse the sweet, romantic, gooey mess that lies inside them. Despite his vocation, however, Hitch is jaded about his own love life and chooses not to get attached.Problems arise when Hitch flips for gossip columnist, Sara (Eva Mendes attempting to channel the ghost of Jean Arthur). Sara is smart as a whip and is just as jaded about her own personal relationships. To further complicate matters, Sara is trying to get the scoop on Allegra Cole (Amber Valletta), the celebrity that Hitch’s newest client is trying to date. With so much going on, it’s no wonder that when Hitch is around Sara, he loses his cool and turns into Jim Varney. Will Hitch and Sara hook up? Will Sara discover what Hitch does for a living, and will she accept him for who he is? Will Hitch be able to help his newest doughy-boy client Albert (Kevin James) get together with the luscious Allegra Cole? Will they all live happily ever after? If you’ve ever seen a romantic comedy before, you know the answers to all these questions.The film is enchanting when Hitch is doing his job. Will Smith is captivating when he’s acting as a confidant and giving sage advice to hapless men. We can all relate to how frustrating the ambiguities of dating can be, and we all wish we had a self-assured friend like Will Smith guiding us through the process.It’s a shame that the romantic interludes don’t offer the same delight. Director Andy Tennant proved he had no inkling about how to do a romantic scene in Anna and the King, and together with writer Kevin Bisch, they create amorous moments that have the same effectiveness as old episodes of The Love Boat. The audience is forced to patiently wade through these scenes to get to the more likable male bonding.It’s ironic, isn’t it, that the strongest romantic chemistry in the movie is between Kevin James and Will Smith? They are charming, flirtatious, and share genuine feelings for each other. Perhaps a braver screenplay would have had these two dump their boring girlfriends, move to Vermont and get married. Too bad. Instead, Hitch ends with a drawn-out ending that will make you long for the credits.
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DOWNLOAD MOVIE Proposition, The Just $2.99 for a complete movie! No additional software or browser plug-ins required! You can play them for unlimited number of times whenever you want. Downloaded movies will work perfectly on any PC, DVD player, PDA etc.
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Proposition, The (2006) Reviewed By Jay Seaver Posted 05/03/06 02:04:28

"Bloody great western." (Awesome)

SCREENED AT THE 2006 INDEPENDENT FILM FESTIVAL OF BOSTON: Just when you think the Western has been completely de-romanticized, someone goes and makes a movie that shows you that there was still, in fact, a little rose coloring left in those glasses. For "The Proposition", director John Hilcoat and writer Nick Cave manage this by packing the whole works up and shipping it to a hot, insect-ridden corner of the Australian Outback. There they drop a nasty moral dilemma on us, with the only way to the other side through a violent path of blood. It’s fantastic.The proposition of the title is a simple one - two of the three notorious Burns brothers have been captured. Captain Stanley (Ray Winstone), in charge of the local garrison, makes Charlie Burns (Guy Pearce) a terrible offer: He will hang youngest brother Mike (Richard Wilson) in seven days unless Charlie brings back the corpse of their oldest brother, Arthur (Danny Huston). It’s a terrible deal, but Charlie takes it - Mikey is a little slow and decent-hearted, and Arthur is a sociopath; if Stanley keeps his word, Charlie and Mike will go free. But a lot can happen in a week: The Burns gang is all being held responsible for the brutal slaughter of a local family, and don’t take kindly to the idea of any of them getting off scott-free - even Stanley’s wife Martha (Emily Watson) disagrees with this tactic. The natives are stirred up and ready to kill any white man. And as much as Charlie has come to hate his older brother and took Mike away from his influence, he’s going to try to find a way to save both.There’s nothing glamorous or even ruggedly sexy about this place and time. It’s hot, there are insects everywhere, the English and Irish don’t think much of each other and their expansion is making the conflicts with the Aborigines worse. As much as Stanley is monstrous for asking Charlie to choose between the lives of two brothers, he operates with a certain amount of honor. His determination to civilize the land occasionally comes across as being megalomanic, but the facets which are noble win the audience over - he wants a place where his quiet wife who observes all the niceties can be safe and not seem like a dainty anomaly. He seems barely able to hold things together at times, but he has his eye on a better world.Arthur Burns is his complete opposite. He’s charming and articulate, handsome in a grimy way. He’s a born leader who commands not just the respect, but the love of his followers. He’s an alpha monster; killers like Samuel Stote (Tom Budge) just fall into line behind him. That’s why Charlie and Mikey abandoning the gang is so galling, even as he admits Mikey isn’t made for that kind of life; a man murders, rapes and steals as he likes can’t brook defiance from his own kin.As much as Charlie is the film’s protagonist, Arthur and Stanley are probably the film’s two most impressive creations - opposite forces tugging at him while still being complex individuals. Pearce, then, has to internalize both, trying to do the right thing by the brother who needs his protection while also knowing that "the right thing" isn’t going to get an Irish outlaw very far. His character is determined, but it’s hard for him to not be drowned out by the other actors’ performances.One of the things that sets The Proposition apart from other westerns is the level of violence. The film opens with Mike and Charlie pinned and shooting it out with the law; it’s a tight, claustrophobic sequence that sets the tone but still allows us to be shocked at how graphic it is when a man has half his head blown away without warning. The explicit blood and guts, meanwhile, make the atrocities that aren’t shown even more horrifying in our minds. American or Australian, the frontier is a dangerous, lawless place, where brutal choices must be made to survive. Hilcoat never lets up with this; even the scenes of beautiful unspoiled land have harsh lighting or dirty, violent men in the frame. Emily Watson, with her porcelain-white face and light-colored clothing, almost looks like someone from another movie digitally edited in amongst the unshaven crowd. Writer Nick Cave (most famous as a singer/songwriter) grinds any hope for a happy ending into the ground, though he does it without it seeming gratuitous; this is just the way it is, not a series of events devised by a cruel god or screenwriter to crush the characters’ spirits."The Proposition" is grim, gritty, and graphic; an almost classical tragedy. Those looking for the romance of the wide-open spaces of the frontier won’t find any here. If you want tension and fear and a man trying to serve two imperfect masters, though, this proposition is a good one.
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DOWNLOAD MOVIE Belly of the Beast Just $2.99 for a complete movie! No additional software or browser plug-ins required! You can play them for unlimited number of times whenever you want. Downloaded movies will work perfectly on any PC, DVD player, PDA etc.
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Belly of the Beast Reviewed By Scott Weinberg Posted 07/02/04 10:27:52

"…and speaking of beastly bellies…." (Total Crap)

It was only a matter of time before we got a Steven Seagal movie with the word "Belly" in the title, so I’ll overlook that whole simplistic line of mockery, and just cut right to the chase:This one’s just as bad as the gourd-like guru’s last 5 flicks ([n]Out for a Kill, The Foreigner, Half Past Dead, Ticker & Exit Wounds, for those masochists still keeping score) and equally as simplistic: Seagal plays a former CIA agent (one that clearly likes donuts) who must rescue his daughter from a group of grimy foreign kidnappers. There’s a whole lot of yak-yak stupidity involving a senator’s equally stolen progeny and Stevey’s monk sidekick who drops a life devoted to prayer so he can tag along with his bulbous buddy and kick all the ass - while the star continues his endless parade of slap-facey brawls with the Level Boss.There are several ways to create an effective low-budget action movie, but the hiring of Steven Seagal is absolutely not one of ‘em. The guy’s long since bypassed the realm of self-parody and is well on the way to becoming his very own infomercial. And it’s not like I just savage the guy’s movies for no reason; Seagal’s never been one to demand any sort of quality from the movies he headlines, so why should I feel compelled to cut the guy some slack? Belly of the Beast is, just like any nine of Seagal’s typical projects, about as amateurish and mindless as an action flick can be and still earn some sort of distribution. It’s not just that Seagal makes awful movies; it’s that he makes the exact same awful movies over and over. He’s that annoying uncle who never stops borrowing money. And I, for one, would like to put an end to this cycle once and for all.Isn’t it about time Seagal took over Leslie Neilsen’s gig? At least that way his perpetual self-immolation would be for a good cause.
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DOWNLOAD MOVIE Air Force One Just $2.99 for a complete movie! No additional software or browser plug-ins required! You can play them for unlimited number of times whenever you want. Downloaded movies will work perfectly on any PC, DVD player, PDA etc.
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Air Force One Reviewed By Rob Gonsalves Posted 12/30/06 11:26:05

"Probably Ford’s last decent movie." (Worth A Look)

It’s probably unwise to trust our response to a movie in mid-summer, when our brains have been so battered by big, stupid blockbusters that any film that isn’t blatantly moronic looks like a masterpiece. (How else to explain the second-coming-of-’Gump’ accolades for ‘Contact’?) Yet I should admit I had a good time at ‘Air Force One,’ the latest ‘Die Hard’ knock-off. The movie is derivative and by-the-numbers, with three separate scenes of Harrison Ford dangling from an airplane where one scene would have sufficed, but it has a confident snap as it goes about its business.Ford, of course, is the President of the United States — James Marshall, a decorated Vietnam vet who’s tough on terrorists — and that’s both a fantasy and a bitter joke. Boldly decisive, stubbornly opposed to political maneuvering, honest and morally righteous, this man would never be elected to any office in America, let alone its highest. As the movie opens, a vicious Russian dictator (Jurgen Prochnow) has just been captured and imprisoned, and the gray heads of the United Nations convene to congratulate Marshall on his part in the capture. He makes a manly speech outlining his zero-tolerance approach to terrorism: Never negotiate, never compromise in the face of evil. The stage could be set for a drama in which the unyielding President gets an ugly reality slap. But this is a summer action movie, and so the hero’s philosophy must be tested but never seriously challenged. A group of terrorists, led by a scruffy Gary Oldman, invade Air Force One and demand that the dictator be set free. Oldman and his pack of stoic killers think that Marshall has fled the plane in mid-air, by way of an escape pod (maybe they’ve seen Escape from New York), but the prez has decided to stay on the plane, hiding and picking off terrorists. President Solo, President Indy! What a man! As the familiar cat-and-mouse plot unfolded, I stopped mourning the lost possibilities and let myself enjoy the unapologetic masculine thrills. Air Force One is always two steps away from being a comedy, maybe because it takes itself so seriously. Sometimes the seriousness works. The director, Wolfgang Petersen (Das Boot, In the Line of Fire), has never treated violence as a joke. Several of the gunfights are staged with the frightening chaos of the real thing, and Petersen puts full weight on the terror of a hostage who realizes, before our eyes, that she’s going to die. Oldman, in another great performance, speaks to her with a curious tenderness and perhaps a little sadness before he pulls the trigger. The last act is a crisper (if sometimes less plausible) version of Executive Decision. Ford does his dangling, and the passengers must be removed from the failing plane. Air Force One abandons any pretense of drama and embraces the usual elaborate summer-movie logistics. Ford stares evil in the eye and growls that now-famous one-liner: Get off my plane! (It sounds amusingly like Mel Gibson’s Give me back my son!)As usual, Ford drips with moral authority; he’s good at it but also too comfortable with it. I think he never got over the failure of the only movie in which he took a chance — "The Mosquito Coast," where he played a rigid, uncompromising man who never admitted that he could be wrong. He plays the same role here, only now we’re supposed to cheer him on.
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DOWNLOAD MOVIE Nick of Time Just $2.99 for a complete movie! No additional software or browser plug-ins required! You can play them for unlimited number of times whenever you want. Downloaded movies will work perfectly on any PC, DVD player, PDA etc.
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The Movie:

I suppose it probably looked like a good idea on paper, but the final product didn’t turn out to be too exciting. A 1995 thriller with a few decent moments of suspense, “Nick of Time” seems to take way more than its 90 minutes, which unfold in “real time”.

The plot starts off introducing us to Watson(Johnny Depp), a father on vacation with his young daughter. Soon after arriving in Los Angeles, his daughter is kidnapped; he’s handed a gun and told that he has to kill the governor or his daughter will be killed. That’s about it for the plot, which is occasionally silly and mostly, pretty uninteresting.

The performances are pretty opposite of each other; Depp is mild-mannered and flat, rarely gaining that much intensity. Walken is over-the-top as usual, going a little too overboard at times to be believable. Roma Maffia as the sidekick of the Walken character is dull and weak in the role. None of the performances really elevate the film beyond the average; nor does the direction, which keeps the film going for 90 minutes in “real dull” time, apparently.

The film offers a few decent moments, but for a thriller like this, there’s not nearly enough tension to carry the film. It’s an interesting premise, but it doesn’t quite work overall.


The DVD

VIDEO: This is one of the first anamorphic transfers that Paramount did when they re-started doing anamorphic transfers about one year ago; although their efforts are fine, it really doesn’t liven up a dull-looking movie. Sharpness is consistently very good, and detail is acceptable as well. The picture’s color scheme is pretty flat, opting for a dark, subdued look that doesn’t make for a very interesting viewing experience. Flesh tones are a little pale looking as well at times, but generally look acceptable.

Paramount’s transfer has a few noticable problems, though. A few isolated areas show a few minor marks on the print used, but these instances are not terribly distracting. A tiny bit of grain and some slight pixelation are also visible, along with the occasional touch of shimmering. Other than that, the picture quality is generally pleasing, offering a nicely detailed image that’s pretty consistent.

SOUND: “Nick of Time” has an enjoyable audio presentation, but it’s not terribly agressive or involving; there is some limited surround use during the action scenes - it’s noticable, but not major. The musical score sounds very deep and solid, with an intense presence that helps along the movie. Crowd scenes (and there are a few of those throughout the film) provide a nicely open and enjoyable experience, but a lot of the film remains as a dialogue-driven thriller. Dialogue is natural and easily understood. Nothing remarkable in terms of audio, but it gets the job done.

MENUS:: Pretty unremarkable main menu, simply re-using the cover art.

EXTRAS: Just the trailer.

Final Thoughts: Skip it. Nothing too great about the movie and an average DVD from Paramount.


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DOWNLOAD MOVIE FernGully: The Last Rainforest Just $2.99 for a complete movie! No additional software or browser plug-ins required! You can play them for unlimited number of times whenever you want. Downloaded movies will work perfectly on any PC, DVD player, PDA etc.
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The Movie

FernGully: The Last Rainforest is an Australia-born animted film from 1992 that features some solid, if unspectacular, animation, a rather impressive cast of voice-actors, a mildly intriguing adventure plot, and a whole lot of really earnest environmental messages.

The story is pretty simple stuff: Adorable female fairy Crysta enjoys her heavenly home deep in FernGully Rainforest. She’s got a teacher to ignore, a boyfriend to tease, and a whole lot of legends about trees and spirits to remember. But with the appearance of a thick stream of smoke far in the distance, Crysta gets a little curious and sets out to seek its source.

She comes across a bunch of “humans,” goofy and clueless creatures charged with bringing down a section of Crysta’s beloved home. So she (accidentally) shrinks one of the destructioneers down to spritely size, and takes him on a tour of FernGully’s most wonderful shopping malls forests and canopies and lagoons and whatnot. Not at all surprisingly, newcomer Zak grows a change of heart right quick, and then its up to him (and Crysta) (and lots of crazy talking animals) to save FernGully from becoming Bulldozer Central.

Plot-wise, FernGully isn’t deep. The flick wears its “omg save the rainforest!” attitude clearly on its sleeve, which makes for a somewhat over-earnest display here and there … but so what, really? So a seven-year-old kid might actually walk away from the movie with the words “rainforst” and “conservation” wedged into his ever-expanding vocabulary. Hey, if the Veggie Tales folks can sell religion in this fashion, then I say the environmental lobby deserves their fair shot as well.

But it comes down to the issue of entertainment. You can make the most well-intentioned piece of family filmmaking in the world, but if you don’t entertain those families, they probably won’t much care for your environmentally-friendly subtext.

Fortunately, FernGully works in a cute and quaint fashion, and in many ways it reminded me of Don Bluth’s B+ efforts. The hand-drawn animation certainly isn’t flawless, but the animators do a fine job of giving their colorful characters a nice dose of personality. The plot is formulaic and entirely predictable, but that won’t matter much to a giggling seven-year-old who hasn’t seen all that many movies. Plus there’s a half-dozen musical numbers, which are goofy (for the kids) and short (for the adults).

If FernGully has one strong and unexpected asset, it’d have to lie in the voice cast. As the strangely alluring Crysta, Samantha Mathis does some very lovely voicework here, and Christian Slater plays semi-jilted man-fairy “Pips” with some rascally charm. And as is often the case in any sort of animated feature, the supporting cast is a truly eclectic group of performers: Robin Williams (in his first animated gig), Tim Curry (as the enjoyably evil slimebeast known as Nexxus), Grace Zabriskie, Robert Pastorelli, Tone Loc, and Cheech & Chong. Even if you only spend FernGully’s 70-some minutes playing “name that voice,” you could have a pretty good time.

As a longtime animation buff, I can appreciate the hard work and good intentions that went into a film like FernGully, which helps me to overlook the fact that the actual plot of the movie is pretty darn flimsy.

The DVD

Video: A virtual handshake is due to Fox for releasing a “family favorite” movie in its original Widescreen (1.85:1) aspect ratio. True, the disc does come with a Full Frame option, but who’d want to raise their children with so little respect for animated cinema?

Anyway, the Widescreen transfer is pretty darn solid. The animation is bold and bright and comes through crystal-clear. So clear, in fact, that it might just draw attention to the intermittent glitches in the animation processing. They’re minor flaws regardless, and I’m of the opinion that a few “glitches” in hand-drawn animation only adds to the charm of the art form.

Audio: Dolby Digital 5.1 English, DD 2.0 Spanish, and French Dolby Surround are your listed options, and the English track sounds just dandy. Optional subtitles are available in English or Spanish.

Extras

A 2-disc Special Edition for … FernGully? Sure, why not? Disney does it with all their titles — several of which are pretty darn awful. So why not FernGully?

On disc 1 you’ll find a pair of special features. First is a feature-length audio commentary with director Bill Kroyer, art director Ralph Eggleston, and coordinating art director Susan Kroyer, which covers all the bases and shows a still-strong affection for the film from its creators. I can’t imagine anyone besides hardcore animation buffs giving this track a full listen, but that’s precisely the audience that’ll dig it.

Seed of the Story: Script to Story Comparison is viewable in chapters or in an eight-minute block (and with or without audio commentary by screenwriter Jim Cox). Here we get six FernGully sequences, from script to storyboard to rough animation to final product.

Moving on to the second platter, we’re greeted with three headings, so let’s break the goodies down as such:

Featurettes

From Paper to Tree (29:54) is a “making of” retrospective that features input (both new and old) from “Ferngully” author Diana Young, producer Wayne Young, director Bill Kroyer, actresses Samantha Mathis & Grace Zabriskie, animation director Tony Fucile, character animator Chrystal Klabunde, animator Steve Markowski, art director Ralph Eggleston, and several others. Fans will get insights on the movie’s ecological inspirations, pre-production art conception, peeks at the animation process, and a few looks at the actors as they record their dialogue. This is a solid little featurette, although (obviously) its appeal is limited to the hardcore Ferngully fanatics.

Behind the Voice: Toxic Love (2:29) is a multi-angle look at Tim Curry’s big musical number. Flick through the multiple angles to see early sketchwork, finished animation, Mr. Curry crooning into a microphone, or all three at once (via splitscreen).

The original featurette (5:53) is a fluffy little promo piece from 1992 that covers the concept, the cast, and the creation of the flick. Again, fans will be happy to see this piece included, but it’s not something you’ll watch more than once … if that.

Rounding out section one is a music video (4:12) for the Tone Loc song “If I’m Gonna Eat Somebody (It Might as Well Be You),” which was recorded for a kid’s movie, so stop your giggling right now. Actually, feel free to giggle away, because this might be one of the silliest music videos recorded since man first drew breath.

Set Top Games is our second section, and it’s a veritable arcade of FernGully goodness! No less than eight different clicky games are included for the kids to enjoy: “Creatures of the Rainforest,” “Sound Pools,” “Save Batty!,” “Grow a Tree,” “Capture Hexxus,” “Sounds of the Rainforest,” “Pips’ Pan Pipe,” and “Out of the Forest.” I’d review each clicky game individually, but c’mon. I have other reviews to write tonight! Joking aside, Fox has done a nice job with these little games; if your kids are into these sorts of educational clicky games, well, here’s eight of ‘em!

The last section is Theatrical Trailers and TV Spots, and it’s here you’ll find, yep, three different theatrical trailers and a trio of old TV spots.

Final Thoughts

Fox tries to go the “Disney DVD” route with this rather packed 2-disc FernGully release, and you know what? It’s actually quite a strong little package. Perhaps FernGully is one of your most fondly remembered “nostalgia movies,” and you just love the goofy little thing. (Hey, I grew up loving Robert Altman’s Popeye, and therefore I cast no stones where “nostalgia favorites” are concerned.)

So if you do have fond recollections of this environmentally-minded animated adventure, you should consider this release Highly Recommended. Newcomers might want to give the flick a rental first, just to see if the kiddies care for it.
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Wedding Date, The

Kat Ellis (Debra Messing), a New-York-based service rep for Virgin Atlantic, must return to her parents’ London home for her little sister’s (Amy Adams) wedding. The best man (Jeremy Sheffield) is none other than her ex-fiancé, who, two years before, inexplicably dumped her. In a desperate attempt to face the ordeal with dignity, Kat cashes in her 401K and hires Nick (Dermot Mulroney), a top-drawer male escort, to pose as her new boyfriend at the wedding.

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